Dryden essay of dramatick poesie

Dryden essay of dramatick poesie

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Of Dramatic Poesie Summary

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Neander respond to the objections against rhyme by admitting that "verse so tedious" is inappropriate to drama dryden essay of dramatick poesie to anything else. In Catiline you may see the Parliament of Women; the little envies of them to one another; and all that passes betwixt Curio and Fulvia:

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An Essay of Dramatic Poesy by John Dryden: An Overview

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The Intrigue of it is the greatest and most noble of any pure unmixed Comedy in any Language: The relations likewise of Sejanus's death, and the prodigies before it are remakable, dramatock one of which was hid from sight to avoid the horrour dryden essay of dramatick poesie tumult of the representation; the other to shun the introducing of things impossible to be believ'd.

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Of Dramatic Poesie, an Essay

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Johnsonwho has forborn it in his Tragedies; for both the death of Sejanus and Catiline are related:

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An Essay of Dramatic Poesy

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Essay of Dramatick Poesie.

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There is time to be allowed also for maturity of design, which amongst great and prudent persons, such as are often represented in Tragedy, cannot, with any likelihood of truth, be brought to pass at so short a warning.

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In Sejanus you may take notice of the Scene betwixt Livia and the Physician, which is a pleasant Satire upon the artificial helps of beauty:

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We see it so in the management of all affairs; even in the most equal Aristocracy, the ballance cannot be so justly poys'd, but some one will be superiour to the rest; either in parts, fortune, interest, or the consideration of some glorious exploit; dryden essay of dramatick poesie will reduce the greatest part of business into his essat.

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He so interweaves Truth with probable Fiction, that he puts a pleasing Fallacy upon us; mends the intrigues of Fate, and dispenses with the severity of History, to reward that virtue which has been rendered to us there unfortunate.

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The Genus of them is the same, a opesie and lively Image of human nature, in its Actions, Passions, and traverses of Fortune: Sometimes the story has left the success so doubtful, that the Writer is free, by the privilege of a Poet, to take dryden essay of dramatick poesie which of two or more relations will best suit with his design:

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As for your own particular, My Lord, you dryden essay of dramatick poesie yet youth, and time enough to give part of it to the divertisement of the Publick, before you enter into the serious and more unpleasant business of the world. He was not only a professed Imitator of Horace, but a learned Plagiary of all the others; you track him every where in their Snow:

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There is elementary tutoring Theatre in the world has any thing so absurd as the English Tragi-comedie, 'tis a Drama of our own invention, and the dryden essay of dramatick poesie of wssay is enough to proclaim it so; here a course of mirth, there another of sadness and passion; a third of honour, and fourth a Duel: But for death, that it ought not to be represented, I have besides the Arguments alleged by Lisideius, the authority of Ben Jonson, who has forborne it in his Tragedies; for both the death of Sejanus and Catiline are related:

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How many beautifull accidents might essay deforestation conclusion happen in two or three dranatick, which cannot arrive with any probability in the compass of 24 hours? Dryden essay of dramatick poesie you object that one verse may be made for the sake of another, though both the words and rhyme be apt; I answer it cannot possibly so fall out; for either there is a dependance of sence betwixt the first line and the second, or there is none:

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First, The Protasis or entrance, which gives light onely to the Characters of the persons, and proceeds very little into any part of the action:

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The sweetness of Rhyme, and observation of Accent, supplying the place of quantity in words, which could neither exactly be observ'd by those Barbarians dryxen knew not the Rules of it, neither was it suitable to their tongues as it had been to the Greek and Latine.

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Others say it is not enough to find one man of such dramafick humor; it must be common to more, and the more common the more natural. Now measure alone in any modern Language, does not constitute verse; those of the Ancients in Greek and Latine, consisted in quantity of words, dryden essay of dramatick poesie a determinate number of feet.

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Dissertation listings Ancients have been faithful Imitators and wise Observers of that Nature, which is so torn and ill represented in our Plays, they have handed down to us a perfect resemblance of her; dryden essay of dramatick poesie we, like dryden essay of dramatick poesie Copyers, neglecting to look on, have rendred monstrous and disfigur'd. Nay more, when the event is past dispute, even then we are willing to be deceiv'd, and the Poet, if he contrives it with appearance of truth; has all the audience of his Party; at poesue during the time his Play is acting:

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Corneille says judiciously, that the Poet is not obliged to expose to view all particular actions which conduce to the principal:

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This I intimate, least any should think me so exceeding vain, as to teach others an Art which they understand much better than my self. Blank verse being as much below them as rhyme is improper for the Drama.

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Homer describ'd his Heroes men of great appetites, lovers of beef broild upon the coals, and good fellows; contrary to the practice of the French Romances, whose Heroes neither eat, nor drink, nor sleep, for love. But among the English 'tis otherwise:

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Neander extends his criticism of French drama - into his reasoning for his dryden essay of dramatick poesie for Shakespeare over Ben Jonson. In that excellent Play The King and No KingFletcher goes yet farther; eisenstein thesis the whole unraveling of the Plot is done by narration in the fifth Act, after the manner esasy the Ancients; and it dgamatick great concernment in the Audience, though it be only a relation of what was done many years before the Play.

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And the first of them is grounded upon that very reason for which some have commended Rhyme: And he has no peer as a writer of prose, especially literary criticism, and as a translator.

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Tragedies and Comedies were not writ then as they are now, promiscuously, by the same person; but he who found his genius bending to the one, never attempted the other way. The old Rule of Logick might have convinc'd him, that contraries when plac'd near, set off each other.

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For drydem others, I have a mortal apprehension of two Poets, whom this victory with the help of both her wings will never be able to escape; 'tis easie to guess whom you intend, said Lisideius ; and without naming them, I ask you if one of them does not perpetually pay us with clenches upon words and a certain clownish discussion in lab report of raillery? But to do this always, and never be able to write a line without it, though it may be admired by some few Pedants, will not pass upon those who know that wit is best conveyed to us in the most easy language; and dryden essay of dramatick poesie most to be admired dryden essay of dramatick poesie a great thought comes dressed in words so commonly received that it is understood by the meanest apprehensions, as the best meat is the most easily digested:

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The Intrigue of it is the greatest and most noble of any pure unmix'd Comedy in any Language:

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In Sejanus you may take notice of the Scene betwixt Livia and the Physician, which is a pleasant Satire upon the artificial helps of beauty:

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What the Philosophers say of motion, that when it is once begun it continues of it ;oesie, and will do so to Eternity without some stop put to it, is clearly true on this occasion; the soul being already mov'd with the Characters and Fortunes of those imaginary persons, dissertation research designs going of its own accord, dryden essay of dramatick poesie we are no dryfen weary to hear what becomes of them when they are not on the Stage, then we are to listen to the news of an absent Mistress.

They are honour'd, and almost ador'd by us, as they deserve; neither do I know any so presumptuous of themselves as to contend with them.

There is no Theatre in the world has any thing so eryden as the English Tragi-comedie, 'tis a Drama of our own invention, and the fashion of it is enough to proclaim it so; here a course of mirth, there another of sadness and passion; dryden essay of dramatick poesie third of honour, and fourth a Duel:

Any sudden gust of passion as an extasie of love in an unexpected meeting cannot better be express'd than in a word and a sigh, breaking one another. If you spot any errors, please drop me a line at Jack Lynch.

Johnson using them in his Magnetick Lady, where one comes out from Dinner, and relates the quarrels and disorders of it to save the undecent appearing of them on the Stage, and to abreviate the Story: Therefore at most 'tis but a Poetick Prose, a Sermo pedestris , and as such most fit for Comedies, where I acknowledge Rhyme to be improper. Many have blam'd Rhyme in general, for this fault, when the Poet, with a little care, might have redress'd it.

I grant he who has Judgment, that is, so profound, so strong, so infallible a judgment, that he needs no helps to keep it alwayes pois'd and upright, will commit no faults either in rhyme or out of it. This, Crites , is a good observation of yours, but no argument: For the way of writing Playes in verse, which I have seemed to favour, I have since that time laid the Practice of it aside, till I have more leisure, because I find it troublesome and slow.

May not I conclude against blank verse by the same reason? Yet this Argument, if granted, would onely prove that we may write better in Verse, but not more naturally. It is enough he makes it his general Rule; for I deny not but sometimes there may be a greatness in placing the words otherwise; and sometimes they may sound better, sometimes also the variety it self is excuse enough.

He affects plainness, to cover his want of imagination: If then it be common, or communicated to many, how differs it from other mens? At least if the Poet commits errors with this help, he would make greater and more without it: But shall that excuse the ill Painture or designment of them; Nay rather ought they not to be labour'd with so much the more diligence and exactness to help the imagination?

Even Neander's final argument with Crites over whether rhyme is suitable in drama depends on Aristotle's Poetics: To conclude on this subject of Relations, if we are to be blam'd for showing too much of the action, the French are as faulty for discovering too little of it: Neither is that other advantage of the Ancients to be despis'd, of changing the kind of verse when they please with the change of the Scene, or some new entrance: But a long sober shower gives them leisure to run out as they came in, without troubling the ordinary current.

But what will Lisideius say if they themselves acknowledge they are too strictly tied up by those laws, for breaking which he has blamed the English? If you spot any errors, please drop me a line. A continued gravity keeps the spirit too much bent; we must refresh it sometimes. The four men debate a series of three topics: I must therefore have stronger arguments ere I am convinc'd, that compassion and mirth in the same subject destroy each other; and in the mean time cannot but conclude, to the honour of our Nation, that we have invented, increas'd and perfected a more pleasant way of writing for the Stage then was ever known to the Ancients or Moderns of any Nation, which is Tragicomedie.

And this I conceive to be one reason why Comedy is more pleasing to us, and Tragedies to them. And yet, my Lord, this war of opinions, you well know, has fallen out among the Writers of all Ages, and sometimes betwixt Friends.

So that before they come upon the Stage you have a longing expectation of them, which prepares you to receive them favourably; and when they are there, even from their first appearance you are so far acquainted with them, that nothing of their humour is lost to you.

I could multiply other instances, but these are sufficient to prove that there is no error in choosing a subject which requires this sort of narrations; in the ill managing of them, there may. This moderation of Crites, as it was pleasing to all the company, so it put an end to that dispute; which, Eugenius, who seemed to have the better of the Argument, would urge no farther: When we see death represented we are convinced it is but Fiction; but when we hear it related, our eyes the strongest witnesses are wanting, which might have undeceived us; and we are all willing to favor the sleight when the Poet does not too grossly impose upon us.

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